Sumire Morohoshi Chiko as Chiko voice. Tadashi Nakamura Kenja as Kenja voice. Baku Numata Kenja as Kenja voice. Reiko Kusamura Kenja as Kenja voice. Shinsuke Chikaishi Kenja as Kenja voice. Narumi Akizuki. More like this. Watch options. Storyline Edit. The latest feature film from award-winning Japanese director Mamoru Hosoda Summer Wars, Wolf Children : When Kyuta, a young orphan living on the streets of Shibuya, stumbles into a fantastic world of beasts, he's taken in by Kumatetsu, a gruff, rough-around-the-edges warrior beast who's been searching for the perfect apprentice.
Despite their constant bickering, Kyuta and Kumatetsu begin training together and slowly form a bond as surrogate father and son. But when a deep darkness threatens to throw the human and beast worlds into chaos, the strong bond between this unlikely family will be put to ultimate test-a final showdown that will only be won if the two can finally work together using all of their combined strength and courage.
In a world of beasts, he found a family. Animation Action Adventure Drama Fantasy. Rated PG for some violence and language. Did you know Edit. Trivia When the whale moves through the city, one of the businesses that is shown is "Starbuck's", which is named after a character from "Moby DIck".
Quotes Monk Momoaki : Kyuta, please! User reviews 46 Review. Top review. Lost in one world, found in another. My last anime movie was 'Giovanni Island' and I did not end up liking much. I thought that was a decent movie with an intense WWII story told through the Japanese children's perspective.
Since then almost half a year passed and now I saw this from the director of 'Wolf Children'. That was his career best movie, so I think the director wanted to follow the same footstep.
Thus he ended up making this one which was quite similar theme, except the sketches were not as cute as that. Like one of the discussion topics on this title, it almost connects with the director's previous movie. Maybe something like Tarantino, who tried to connect 'The Hateful Eight' with 'Django Unchained', later dropped the idea for the characters that failed to merge.
But here the reason might be the drawings which were somewhat different styles. And this one seems for teenagers and adults for having a little mature content when the narration reaches the second half.
It opened by a brief telling about the monsters and its world. Came back to the human society to focus on a 8-year-old runaway boy named Ren. While tailing a couple of strange creatures, he accidentally enters the monster world through a secret portal.
So the quarrelling begins between them for having difference in everything, but as the time passes, they bond well. Then comes a time for Kumatetsu to compete in what he was preparing for, and the boy who finds his own path.
But somewhere when they were getting apart, an evil force brings them together to fight against it. All the character intros were kind of normal, nothing grand, but later found a strong connection to each other and each were very unique in nature to remember.
This part is where that suits better for children and what comes next was kind of opposite. Feels fun parts are over, introduces a few new characters as the narration takes as big leap as 8 years forward. This middle section was like a re-launch, like a new story to begin. As a child character turns into a teenager, the movie attempted to fit with adultish stuffs. So there was a semi romance, but feels like the quite friendship track.
This is where you think the movie lets you down, a time kill section. Due to the theme that designed to take place between the two worlds, this is very important for moving forward to the 3rd act.
I think shortening around 5 minutes would have done good for the pace of the movie. The final act is even more unlike to the earlier episodes that adds a wonderful special effects to bring the action sequence. Sadly the stunts were not as dynamic as I hoped, I mean it was too short especially if you love fights. Whenever these two are seen together, that bring so much fun. Basically the movie outlines how humans are obsessed for power, who can go any lengths to clinch it and one of the ways is to let the darkness consume him.
I already saw it twice. For the second time view it was even better and I liked it very much. Still, it is not the director's best work, as well as not a bad movie to just ignore. This implies getting it done minutes this real to life change oversees just to help you to remember that thing you cherished, while at others it baffles you with its deviations and deficiencies. To call it a 'real to life' redo is, obviously, deceptive when a critical number of the characters, including one portion of the main couple, are carefully energized.
The staff at the mammoth's royal residence, including Lumiere, Cogsworth, and Mrs. Potts, are altogether enlivened utilizing grand, exact CGI. Be that as it may, what this advanced activity picks up in detail of plan it loses in characterisation. The more reasonable movement brings about less powerful characters that are not as beguiling or charming as their more cartoonish renditions. Chief Bill Condon has some involvement with film musicals, having coordinated Dreamgirls and composed the screenplay for the Best Picture winning Chicago.
Where the last Disney change, The Jungle Book, shied far from its melodic roots, Beauty and the Beast holds all the favorite tunes from the first — including top picks 'Be Our Guest, ' 'Gaston, ' and obviously the title track — while including three new tunes.
Strikingly, this change speaks to arranger Alan Menken's third run around with this undertaking, having composed the music and melodies for the film with lyricist Howard Ashman, and afterward promote coordination and tunes with Tim Rice for the stage adjustment. Of the new tunes, the sweet 'How Does a Moment Last Forever, ' which is sung on the other hand by Maurice and Belle, and after that by Celine Dion over the end credits, is the feature.
With late motion picture musicals putting a high incentive on live singing it is shocking that Condon has not gone down that way, in any event for the non-enlivened characers. From the minute Watson opens her mouth to sing her opening lines, the studio refined, might I venture to state auto-tuned, nature of the voice influences it to feel to some degree disengaged from the mouth it is as far as anyone knows originating from, and removes something from the enchantment of the music.
That aside, Watson demonstrates a solid match for the focal part, including only a trace of women's activist quality to Belle's intrinsic goodness. It is Luke Evans' Gaston, in any case, that is the thrown champion, trimming, strutting and conspiring his way through the photo. Where Condon's film expands on the first and brings something new is in its treatment of a few the story's auxiliary connections.
Gaston's dedicated sidekick LeFou is given more noteworthy profundity. Where he was already a two dimensional blundering trick, he now has a decent, and some have proposed momentous, little bend where he battles with his solitary sentimental affections for his buddy.
The more notable development, however — which alongside the new tunes is in charge of the 45 minute knock in the run time — is the connection amongst Belle and her dad, Maurice. The 'absurdity' of the old designer is altogether dialed down, and rather Maurice is displayed as a defensive and empathetic single parent.
Their story, in which it is eventually uncovered to Belle the result for her mom and why they cleared out Paris for the common life, is an exceptionally touching one. This film will profit — the idiot proof mix of a much cherished item and Emma Watson guaranteed that would be the situation — however shockingly that is by all accounts its sole genuine objective.
Beauty and the Beast is a pale impersonation of great which doesn't adequately expand on or add to the first, and like this doesn't figure out how to advance out of its forcing shadow.
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